


NODO GORDIANO – Flektogon (***1/2)
- Website info: Nodo Godiano project begins its run in early 1994 after the meeting between Andrea De Luca (bass, vocals), Alessandro Papotto (wind instruments, vocals) and Tony Zito (drums). The first line up was completed with the arrivals of Roberto Proietto (guitars) and Fabio D'Andrea (keyboards) and made its live debut in late 1994. The band, during 1995 and 1996, plays basically Genesis and King Crimson covers and Radio Rock, along with other private networks, promote gigs in important live exhibitions in Rome. Well, the name of King Crimson frequently appears in the abovementioned story so it’s logical that indeed the spirit of this Classic Progrock legend reigns over this album. In almost every track I notice strong hints of King Crimson: from the heavy, compelling and hypnotizing atmospheres with a very propulsive rhythm-section (close to Wetton-Bruford) and razor-sharp or repetitive guitar work (in the tradition of Mr. Fripp) to Jamie Muir inspired percussion experiments (Ozymandias Part I + II) or screamy saxophone play. But Nodo Gordiano turns out to be more than a King Crimson clone or King Crimson fanatics, just listen to the high-pitched female opera-like vocals in Theatro Di Memoria (the intro with the choir strongly evokes PFM’s The World Became The World) and the ethnic (India) intro, the electronic and ‘sound collage’ interludes and the dreamy flute in the magnum opus Avventure Di Mastarna. To me this long composition sounds like a jam-session of 30 minutes, from mellow to ‘organized chaos’ in the best tradition of King Crimson.- So after several listening sessions I conclude that Nodo Gordiano has very interesting compositional skills but I am sure this kind of progrock will not be everybody’s cup of tea. However, I recommend the King Crimson fans and those progheads who are searching for adventurous progrock to check out the ‘multimedia section’ of Nodo Gordiano their excellent website. Erik Neuteboom
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